One of a kind
The narrative vessels I created delve into topics that have personally resonated with me over the years and aim to shift the focus from traditional canvas to a three-dimensional surface.
The Ceramic Topographies are portraying plants significant to indigenous cultures and the metals and minerals used are important metals and minerals of the country in question.
In contrast, the Organ Harvest vessels offer a poignant commentary on the dark reality of the international organ trade by symbolically harvesting organs from a tree-like structure.
Game of Drones merges ancient aesthetics with modern warfare imagery, juxtaposing serene landscapes with the menacing presence of fighter drones.
The Garden of Eden Vases, also referred to as the Pudenda (Shame) Vases, emerged from vulva casts of women in Austria and the US, intertwined with fig leaves as a nod to biblical interpretations of female sexuality and sin.
Game of Drones/ made 2015 in Zhengrutan
Game of Drones/ made 2015 in Zhengrutan
Game of Drones/ made 2015 in Zhengrutan
Game of Drones/ made 2015 in Zhengrutan
Game of Drones/ Bottom view/ made 2015 in Zhengrutan
Game of Drones/ Mei Ping/ made in Weitra around 2020
Organ Harvest/ made in Jingdezhen 2008
Organ Harvest/ made in Jingdezhen 2008
Ceramic Topographies/ Bolivia/ made in Weitra/ around 2020
Ceramic Topographies/ Kongo/ made in Weitra/ around 2005
Lucky Ribbon/ made in Jingdezhen/ 2008
Lucky Ribbon/ made in Jingdezhen/ 2008
Plastic Ocean/ made in Jingdezhen/ 2008
Plastic Ocean/ made in Jingdezhen/ Detail/ 2008
Garden of Eden Vase/ with fig leaves and vulva casts/ Shino glaze/ Made in Maui, Hawaii in 1997
Mother's Little Helpers/ Made in Weitra around 2020
Discrete Geometry/ Heavy Metal/ 78cm height/ made 2019
Trust Ladle/ around 1995
Alborello MDMA/ around 1996
Meingarten/ Baselitzoid/ around 2018