Temmoku + Mirror Black
After returning from Japan in 1991, I continued work in my 1988 established studio in Webgasse, Vienna's sixth district, until 1997. Drawing inspiration from my experiences in Kyoto and various pottery centers in Kyushu, I ventured into the production of functional ware. My creations bore the imprint of Japanese tradition but also of modern design aesthetics, as adopted through my studies at Rietveld Academy in Amsterdam 1980/81. Employing techniques learned during my time at Kyoto University of Arts, I relied on a palette of four distinctive glazes: Seto yellow, rusty red, a celadon hue, and Temmoku. These classic Chinese glazes, later embraced by Japan, lent a timeless character to my work.
3 Pitchers / various shapes + textures/ between 1992-2012
Pitcher with line texture/ 33cm/ between 1992-2012
Pitcher medium size, 22cm/ between 1992-2012
Kyusu (teapot) prototype/ around 1995
Twisted vases/ around 1982
Teapot rendering in Rhino 3D/ around 2005
Kyusu + milkjug/ around 2005
Modern Kyusu/ rendering/ around 2005
Soup bowl Udon size/ / between 1992-2012
Tea bow, Rice bowl, Soup bowl/ between 1992-2012
Chawan/ between 1992-2012
Teabowl with slip texture/ around 1995
Folded plate w/ ricebowl, tea bowl, sake cup/ between 1992-2012
Large+small plate, 2 cups/ 1991-2012/ Stoneware/ Temmoku
Tray with line texture
Plate with line texture
Large+small plate/ between 1992-2012
Plate with mirror black glaze/ between 1992-2012
3 plates with textures/ between 1992-2012
Puzzle plates and choko (sake cup)/ between 2000 and 2012